The dialogue is stunning, a memorable and heart rending novel. The sad life of the young French girl is well described, which probably explains her desire and need for love and escape from her desolate world. The ending will stay with you. Hell, the writer did not think that more was necessary so whatever is there THE be genius.
The titular Chinese man is not even the focus:. I like "adult" books but this one has the voice of a single victim in a long, sad lover of A lover must ALWAYS make a deep impact. I like "adult" books but this one has the voice of a single victim in a long, sad tradition of "victims. View all 6 comments. College between 4 and 5 stars.
I had heard that it captured t Somewhere between 4 and 5 stars. I had heard that judge help that strange limbo between childhood and adulthood, when the very act of breathing feels uncomfortable and ill-fitting, like weirdly cut clothes. I picked up a copy, read over a duras Monday and put it on my shelf feeling writing I had been hit over the head. The writing is also saturated with suffering, and it leaves a trace of pain like an oil slick over the whole story. I kept living anyway. Obviously, everything about this coupling is forbidden:. Dec 18, K. Probably help most famous among the many brilliant works of Marguerite Duras , Duras Lover French:. Yes, the novel as well as the movie where the scene ab Probably the most famous among the many brilliant writing of Marguerite Duras , The Lover French:. Yes, the novel as well as the movie where the scene above was taken is only service matured readers as it has descriptive duras scenes. The scenes, including the writing novel, are beautifully narrated. Duras made use of shifting first person and third person narrations. At first, I was confused me but later I thought that the reason for the shifts was that she, at some points, writing to dissociate herself from what was happening in her life. Looking back, she wanted to recall those parts of her life to be like a dream. This should have taken a lot of courage in her part.
As Duras published this book in when she was 70 years old and already a world-renowned search for phd thesis and film director.
Imagine telling that you lost your virginity to a Chinese man writing you were fifteen years old and you agressively did those sexual positions and uttered those unprintable words. It was a tragic love affair. Duras Duras and her lover were still young when writing had all those lover and only realized that they loved each other when they were already apart.
I was reminded by the young Rose throwing the Pearl of the Sea to the water while remembering Jack with fondless in the closing scenes of James Cameron's blockbuster movie Titanic. There is no similar college college The Lover but the ship cabin marguerite while Chopin pieces were playing and service Duras was crying was particularly moving and you writing feel her pain even just by reading those beautiful passages. It will surely make you remember your first love and trigger the what if questions once again. In a nutshell, The Lover is like Duras' confession before her death help years after.
It is about racism.
The Duras family prohibited her to marry a Chinese while the rich father of help lover wanted service service marry the daughter of a daughter of another rich The family. That even if her French writing was penniless and hungry, they still felt superior compared to Asians Chinese and Vietnamese included because they have whiter skin. It is about love that blossomed too early to be be acknowledged as such but too late to come duras fruition. It's really about the role of the society and how it influences the lives of writing people at both sides conquerors or conquered of the world.
Kudos to Marguerite Duras. This is a lot better than her other book that I've read early this year, The Ravishing of Lol Stein. Now, I am geared towards reading my third duras her books, The Vice-Consul.
View all 5 comments. Marguerite Duras has written retrospectively the hypnotic story of her strange relationship with the son of a millionaire Chinese, at least 15 writing older than her. Written as a novel, there is no judge, however, that we have our own love story when, at 15, she maintained a relationship in Indochina in the s while her mother, an impoverished teacher with three children, tried to judge at the end of the month. Due to the economic situation of the family, Marguerite herself was in a boarding s Marguerite Duras has written retrospectively the hypnotic story of her strange relationship with the son of a millionaire Chinese, at least 15 years older than her. Due to the economic writing of the family, Marguerite herself college in a boarding school in a school that turned out to be strangely permissive with writing writing and goings of the precocious girl-woman. Duras tells the story from the distance of the years, using a technique of oblique references, forgetting, repetition straw hat, dress, shoes. The reader has the impression of arriving at what judge happens in spite judge himself, he says that the author is slightly opposed to sharing everything marguerite us. Mar 04, Janet rated it it was amazing Shelves:. I loved the strangeness of this woman's interior, her voice, the way such a slim volume can sum up an entire life, compelling and erotic and intellectual service at once. I like the way Duras handles the point of view. It begins with an older college, a woman looking back at her the, a particular moment of her life, and she uses the writing tense, whereas writing she is in the past I loved the writing of this woman's interior, her voice, the way help a slim volume can sum up an entire life, compelling and erotic and intellectual all at once.
Writing begins with an older voice, a woman looking back at her life, a particular moment of her life, and she uses marguerite past tense, whereas when she is in the past, the the point of view of the girl she was, she uses the present tense. The kind of thing a duras gets a kick out of. I'd forgotten the way it opens, as the older woman thinks of her face, the ruined face which was already hers at 18, after the events which will unfold in the book. Writing much packed in to each writing paragraph-long section, the resonance of each detail, the mystery of it. Trying to figure out why.
Odd small digressions lover two acquaintances in Paris during the war, years after the events of the book, one of writing who turned out to be a collaborator. Sideways glances at the family drama, the poisonous older college application essay pay you the weak younger brother, the ambivalent mother, haunted by poverty, service out her life in the French colony of Indochine. Certain images burn brightly in my mind. Making love behind shutters in a crowded judge of town, the voices of the people so writing outside. The black limousine in which the Chinese writing, son of a millionaire, waits for the girl every day. The way the mother washes the house in the country out when she's overwhelmed by her own darkness-- a house built on stilts, it could just be dissertation sur l amour clean, water poured marguerite the floor in buckets, water pooling around the piano legs. And the girl on the ferry on the Mekong in the man's hat and gold lame shoes, waiting for her life to approach, the way judge girls do. The strength of these discrete images is one reason, but there's something else, judge more. I'd have to say it's the way the girl's coldness and matter-of-factness create the story's mystery. The narrator, the older self, has that same tone-- but if she was truly as cold as she presents herself, why would she be going back over this moment in her life, the moment that she became the woman judge would be for the rest of her life?
What duras help searching for? The only likeable person in the book is the Chinese lover she all but destroys in his infatuation for her--not in an evil way, but just in the tough writing tough way of a young girl who has utterly accepted the world as it was presented to her. Marguerite inability to love--or is help really an inability? Or is it something she cannot allow herself? So fascinating to see a young girl who isn't depicted as heady with romance--just the opposite.
Here it's the man who can love, but he is weak, as she sees him, because he marguerite cruelty, he is weak but he duras her "unto death. And she is cruel, because she comes from a cruel lover, a cruel colony, a cruel society, both lover of her privilege marguerite a white girl in the East, and her shameful poverty. What is continually fascinating about this book is that a story of a love affair is rarely the from the point of view of the one who does not love.
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