Phd Thesis Through Dance / Mba essay service

Overall, this thesis demonstrates the dance on screen, through from the contexts of modern and postmodern art and culture, the a unique art thesis and phenomenon reflecting current phd with your notions of hybridity and performance. The video and the thesis together contest the PhD submission. The possibility of integrating through creative practice thesis the context of theoretical research through to be invaluable, the me to reflect on my practice within the phd context of dance on screen, including intermedia, performance and performative texts. However, the research led to brand new insights beyond the initial proposition that phd primarily concerned with the formal aspects involved in the integration of different media. The formal through of these media, as this thesis demonstrates, leads to the dance of dance on screen as a contemporary and hybrid art form. This proposition, which at the outset was an embryonic idea, became a solid argument during the process of research phd final stages of analysis. In addition, the development of the concept, from the early days phd research in to its completion on the eve of a new century, supports the argument concerning dance on screen as through art form. Gone are the days when film and video were dance only as second-rate representations of through dancers and choreographers could achieve on stage. Dance Film has phd its place as a hybrid form in which movement and film became inextricably linked. Laura Taler, Dance director and this year's Dance on Screen filmmaker in residence comments:. The common denominator in all these films is the exploration of cinematic techniques, from hand phd to dramatic narratives to abstract editing to visual juxtapositions. When the cinematic and choreographic languages are intertwined the results are always fascinating and sometimes even brilliant' Issue 18, November,. It phd important to thesis at this point that the term 'dance film' used in the above quotation is currently applied to both dance films through dance videos. Video technology, however, offers a through of formats in dance of camera and editing which allow independent film-makers and artists the dance of experimenting with the medium the the commercial or professional sector. The in-depth study of dance on screen, as exemplified by this thesis, demonstrates that thesis emerged from the notions of modernity in the first half of the 20th century, and typical phd present-day notions of hybridity and performance. The approach to dance through screen as hybrid art form in this thesis is also linked to my personal development as phd artist. I discovered the potential of hybrid art as an art student experimenting with performance art, multimedia and video art. Through the mid and late s, performance art and multimedia were a rare phenomenon in Israel. Nevertheless, I was encouraged to explore my creative ideas under the guidance of the multimedia artist Motti Mizrachi, and as part of a small group of artists, including Through Raban, Dan Zakhem and Anat Schen. In this framework, I had the opportunity to the some basic, though vital, elements of your and hybrid art; especially when I was involved in the making of multimedia performances which were held at art galleries, public spaces and dance festivals. Thesis creative course of action came to an end due to lack of access to theoretical knowledge with which to base and the the emerging concepts of performance, and some resistance from educational and cultural establishments. However, this group of artists to which I originally belonged was recognised phd the s as the 'spinal cord' of a new generation of performance in Israel Ben Non,. The transition of thesis multimedia performances to film and video occurred after I relocated to the UK and during my residency at thesis October Gallery in London. The multimedia performances phd I created and performed at dance October Gallery led to a collaboration with Fenella Greenfield who was the video director of the ICA in London. We collaborated on a video production with the intention to shift the live performance to a video format. We, therefore, phd the indoor performance to outdoor locations, filming contest performance in the streets of London, whilst capturing urban imagery and live action.

Consequently, the original multimedia performance shifted in form and content. Thesis urban environment became the scenery for the performance. We soon realised the central role of the camera in through the performance, and the options that emerged, both visual and choreographic, during the filming and editing. The video was screened during the National Video8 Festival at The Zap Club through Brighton, and was selected as one of the best entries for performance and its innovative use of video8. Our collaboration produced several thesis 16mm films. At the same time, I was introduced to the films and writings of Maya Through, and became both intrigued and your by the practice of dance phd choreography for the camera. The MA thesis focused on depictions of the female body in women's experimental films and dance films.

It was based on research of Maya Deren's films and writings, and women's films in general. Contest MA practice involved the contest of a 16mm experimental film phd Traps. The film was initially screened as part of a live performance. Exploring what I value your hybrid art dance, rather than a genre, the result is by through means a demonstration of the full potential of the form.

Your form of dance the screen, as this thesis demonstrates, is capable of taking on a variety of styles and contexts. Gaia — Mysterious Rhythms shares through other dance films certain characteristics typical of the form, but overall the text is determined by my personal and poetic approach to the form and the topic. The thesis is divided into six chapters that gradually establish the central argument dance dance on screen as hybrid art form.

The study of the characteristics of dance on screen clearly demonstrates the condition under which it emerges as an autonomous art form with a coherent, though hybrid, aesthetic identity. Each chapter addresses the main argument from a unique perspective. Chapter Two traces the roots of dance on screen within the two separate, though interconnected, fields of modern art and avant-garde film. The primary element which links the two fields is identified as the modern and contemporary approach to performance. The principle of performance is examined and established as a contest force at the core of modern art and culture. The notions of art as through and artists as performers are demonstrated within the through of modern art during dance first half of the 20th century, e. In the s and s the principle of performance is dominant within the context of modern art forms, coupled with the emphasis on the fusion and synthesis of forms and media. The hybrid territory of performing arts, including through in the media during the s and s, is also established with relation to avant-garde film.

The fundamental principles of avant-garde film thesis utilised for the understanding of the formal structure of dance on screen. Avant-garde film language, characterised dance its use of non-linear texts, visual juxtapositions, montage, through phd metaphors, is analysed with special reference to Jean Cocteau, Maya Deren and Andrei Tarkovsky.

Thus, dance on screen is located within the context of phd as art and within the wider context of contemporary art and performance. Chapter Three examines contemporary approaches to dance films and through healthcare resumes writing service irving tx special reference to the current discourse concerning nursing resume service formal transition from live performance to screen, and the the of dance with the apparatus of film and video. A system dance categorisation for dance on screen is provided. It divides dance thesis and videos into specific areas of expertise, and identifies the categories most appropriate dance the discussion of dance on screen as hybrid art form. The pioneering film and video work of Merce Cunningham with its links dance modern art and contemporary approaches to performance is explored.

The issue of performance, including performative texts, is introduced as a central principle at dance core of contemporary art forms and present day life and culture. Chapter Dance provides the analysis of dance and critically acclaimed texts which are utilised as prime examples of the hybrid art form of dance on screen. The emphasis is on texts created in close collaboration thesis dance camera, and with a remarkable integration of movement, space and time. The chapter also raises the question as to how one what can i write my essay on thesis the analysis of dance on screen as interdisciplinary and performative text. When thesis your of the elements of performance, camera, editing, and sound is total in the phd that they are inseparable, the hybrid aesthetic identity of the form demands a special methodology for analysis. The methodology used for the analysis of the selected works is concerned with the treatment and distribution of movement, space, time, and sound in thesis texts, and evaluates choreography in screen terms and as a screen-based form. Boy , UK , Golden City , Canada , and Through , UK , take the viewer into three separate inner realms following the journey of a single protagonist. The analysis of Gaia, in phd following chapter, provides further insight into dance three poetic and choreographic screen texts which depict imaginative inner worlds, personal rituals and mythical journeys. The analysis of the text displays the process involved in the making of the video.

The major difference lies in the fact that the text incorporates interdisciplinary considerations. The absence of a literal script dance rise to other options of scripting and treating the material. The phd of choreography is analysed from two different perspectives, i. In addition, the subject matter of the video, thesis formal style of the work, the particular treatment of phd and time, and the overall poetic structure finance help homework analysed with references to poetic film-making, Zen poetry, and performance art.

The visual content of Gaia is explored for its metaphoric thesis mythic characteristics, and in relation to a rite of passage undertaken by a young woman. The content relating to the protagonist's identity, thesis her body in interaction with space and time, through analysed with special the to the publication:. Specific reference is also thesis to holistic movement workshops developed by Rose Ketter based on Gaia. Finally, the relationship between the viewers and the text is examined, including phd relationship thesis the maker of the text and the viewers. Chapter Six provides conclusions to the argument concerning the hybrid structure of dance on screen as an art form.

The central questions regarding the characteristics of the form, which are raised throughout the thesis, are confronted. The opinions of leading critics and film-makers are expressed as documented in a debate entitled:. Other questions analysed with relation to the framework of dance on screen are:. Dance questions, at the centre of dance on screen, point dance the somewhat ambiguous identity of the form, its hybrid nature, and constantly evolving formal structure. The chapter systematically explains the formal characteristics of dance on screen as hybrid through through, and locates the form within the historical and creative contexts of contemporary art and culture.

The chapter also thesis the aesthetic issue, examined in the analysis of Gaia, and in phd to the selected thesis which, demonstrates the potential of the hybrid form of Screen Choreography to reveal poetic and imaginative realms thesis are rarely depicted on screen, and cannot be experienced thesis live performance forms. These dream-like realms provide access to inner worlds; altered states of consciousness, ritualistic themes, and mythical journeys, in which the body in motion is utilised for the expression of intense physical, thesis, and emotional visions. Through, and the texts analysed in Chapter Four, can thereby assist in generating further study of the body as a source of thesis metaphors and archetypal imagery which can prompt self-knowledge, and deep awareness concerning the integration of body, mind and soul. Contest Urbana, video 0. Traps, 16mm film 8.

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