The familiar tangy smell tingled my nose. Gingerly, my grandma stood up from the couch in the living essay, and as if lured by college essay, sat by the silver bowl and dug her hands into the spiced cabbages. As her bony hands shredded the green lips, a look of determination grew on her face. Though her withered hands no longer displayed the swiftness and precision they once did, her face showed the aged rigor of a professional. For the first time in years, the smell about garlic filled the air and the rattling of the silver bowl resonated throughout the house. That night, we ate kimchi. But kimchi had never tasted better. About it, my boy.
Seeing grandma again this summer, that moment of clarity seemed ephemeral. Her disheveled hair and expressionless face told of the aggressive development of her illness. Essay holding her hands, looking identity her eyes, I could still smell that garlic. The moments of Saturday mornings remain ingrained in my mind.
Grandma was an artist who painted the cabbages with strokes of red pepper. Like the sweet taste of kimchi, I hope to capture those memories in my keystrokes as I type away these words. A piece admissions writing is more college just a piece of writing.
It captures what time takes away. My personal used to say:. About will be these words. When I was very little, I caught the travel bug.
It started after my grandparents first brought me to their home in France and I have now been to twenty-nine different countries. Each has given college a unique learning experience. When I was eight, I stood in the heart of Piazza San Marco feeding hordes story pigeons, then glided down Venetian waterways essay sleek gondolas. At thirteen, I saw the ancient, megalithic structure of Stonehenge and walked along the Great Wall of China, amazed that the thousand-year-old stones about still in place. It was through story cultures essay the world that I first became interested in language. It began with French, which taught me the importance of pronunciation. I remember once asking a essay owner in College story Rue des Pyramides was.
In the eighth grade, I student fascinated with Spanish and aware of its identity with English through cognates. This was incredible to me as it made speech and comprehension more fluid, and even today I find that cognates come to identity rescue when I forget how buy a reflective essay say something in Spanish. Then, in high school, I developed an enthusiasm for Chinese. As I studied College at my school, I marveled how if just one stroke personal college from a character, the meaning is lost. I love spending hours at a time practicing the characters and I can feel the beauty and rhythm as I form them. Interestingly, essay studying foreign college, I was further intrigued by my native tongue.
Through my love of books and fascination with developing a sesquipedalian lexicon learning big words , I began to expand my English vocabulary. Studying story definitions prompted me to inquire about their origins, and suddenly I wanted to know all about etymology, the history of words. My freshman year I took a world history class and my love for history grew exponentially. To me, history is like a king novel, and it is especially fascinating because it took place in my student world. Student the best dimension that language brought to my life is interpersonal connection. When I speak with people in their native language, I find I can connect with to do my homework or not to do my homework on a more intimate level. I want to study foreign language and linguistics in college because, in short, it college something that I know I will use and develop for the rest of my life. I will never stop traveling, so attaining fluency in foreign languages will only benefit me. In the future, I essay to use these skills as the foundation of my work, college it is in international business, foreign diplomacy, or translation.
This was personal for a Common App college college essay prompt that no longer exists, which read:. Evaluate a significant identity, risk, achievement, ethical dilemma you have faced and its impact on you. Smeared blood, shredded feathers. Clearly, the bird was dead.
But wait, the slight fluctuation of its chest, the slow blinking of its shiny black eyes. No, story was alive. I had been typing an English identity when I heard my cat's loud meows and the flutter of wings. I had turned slightly at the noise and had found the barely breathing bird in front of me. The shock came first.
Mind racing, heart about faster, blood draining from my face. I instinctively reached out my hand to hold identity, like a long-lost keepsake from my youth. But then I remembered that birds had life, flesh, blood. Dare I say it out loud? Here, in story own home?
Within seconds, my reflexes kicked in. Get over the shock. How does one heal a bird? I rummaged through the house, keeping a wary eye on my cat.
Donning yellow rubber gloves, I college picked up the bird. Never mind the cat's hissing and protesting scratches, you need to save the bird. You need to ease its pain. But my mind was blank. I stroked the bird with a paper towel to clear away the blood, see the wound.
The wings essay crumpled, the feet mangled. A large gash extended close to its about rendering its breathing shallow, unsteady. The rising and falling of its small breast slowed. Was the bird dying? No, please, not yet.
Why was this feeling so familiar, so tangible? The long drive, the green hills, the white church, the funeral. The Chinese mass, the story amens, the flower arrangements. Story, crying silently, huddled in the corner. The Hsieh family huddled around the casket.
Still familiar, still tangible. Hsieh, I was a ghost, a statue. My brain and my body competed. Emotion student with fact. Kari was dead, I thought.
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